351. Pixies: O2 Academy, Leeds [17.9.19]

351a_Pixies [170919]

Artist: Pixies

Support: The Big Moon

Venue: O2 Academy, Leeds

Date: 17.9.19

No holding back as Pixies opened with ‘Gouge Away’ and ploughed-on through an epic 38 song set. Some would argue that less is more, but when you’ve waited so long to see a band play live, you take what you can get. Disappointingly, their expansive setlist didn’t include ‘Debaser’.

There’s no ticket for this gig, as in their infinite wisdom O2 Academy venues decided that e-tickets are easier to manage and more cost effective. Such a decision shows how corporate venues are all about maximum profit and don’t understand the intricacies and mementos that accompany and enhance gig culture.

Setlist: Gouge Away / On Graveyard Hill / Classic Masher / Head On / Rock Music / Isla de Encanta / Crackity Jones / Bone Machine / Velouria / Snakes / This is My Fate / Catfish Kate / Cactus / Blown Away / Where is My Mind / Nimrod’s Son / Bird of Prey / Havalina / Death Horizon / Here Comes Your Man / Ready for Love / Brick is Red / Mr. Grieves / Silver Bullet / Vamos / In the Arms of Mrs. Mark of Cain / Caribou / Hey / Los Surfers Muertos / No. 13 Baby / Dead / I’ve Been Tired / Long Rider / Monkey Gone to Heaven / St. Nazaire / Wave of Mutilation / Tame // Daniel Boone

351c_Pixies | Tour [2019]

349. An Evening with Alan McGee: The Constitutional, Farsley [13.9.19]

349a_Alan McGee [130919]

Artist: Alan McGee

Interviewer: Gavin Puszczalowskyi

Venue: The Constitutional, Farsley

Date: 13.9.19

An Evening with Alan McGee kicks-off with a fairly staged but enlightening interview. Gavin Puszczalowskyi’s questions are well planned and unintrusive, so Alan McGee knows what to expect and responds well. There are interesting insights into the musicians he knew in his youth, many of who became a part of the Creation Records stable.

McGee underplays his heavy influence on the indie music scene and what would eventually become the Britpop behemoth – which inevitably brings us to Oasis (far from the best band he ever signed). However, many of the audience would rather hear tales of the Gallaghers rather than Gillespie, and so the evening predictably ends up going down that path.

Then comes the audience Q&A session. The ‘Liam-a-likes’ and ‘Boneheads’ offer a barrage of babbling questions, jeering over each other’s input and getting far too giddy about the presence of a famous face in Farsley. A group of lads (with a demo tape) think that being boisterous at the bar will get them noticed – it does, but for all the wrong reasons. A girl in a short skirt asks McGee if she can sit on his knee to ask a question; he awkwardly obliges whilst she shoots feminism in the foot.

I ask McGee (in a Desert Island Discs scenario) if he could save only one of his Creation releases which would he choose and why? His simple and decisive answer: Higher Than the Sun by Primal Scream – because he loves that record. Respect.

The evening ends with an auction, where pissed-up punters pay way over the odds for framed versions of Oasis albums and memorabilia. At this point I sneak away to savor Screamadelica on my drive home.

349c_Alan McGee [130919]