Just a few days earlier, I’d seen Easy Star All-Stars perform their ‘Dub Side of the Moon’ set at Bluedot Festival. As good as that was, the band are so much better in an intimate venue, where their musical interpretations can be truly savored as the soul fills the space and the dub shakes the room.
Artists: Kraftwerk / 808 State / Jarvis Cocker introducing JARV IS / Tim O’Brien / Sunda Arc / Easy Star All-Stars
Venue: Bluedot [2019], Jodrell Bank Observatory, Cheshire
Date: 20.7.19
A dream gig and one to tick off the bucket list, as Kraftwerk played in the impressive presence of Jodrell Bank’s Lovell telescope at Bluedot Festival 2019.
As far as festivals go, this was a fairly intimate gathering, blending music and science to coincide with the 50th anniversary of the Apollo 11 mission and first moon landing.
Jarvis Cocker premiered his new JARV IS project. Kraftwerk were as precise as expected with 3D visuals and crystal-clear sound for a career spanning set. 808 State finished things with a late night set in the dance tent.
Kraftwerk Setlist: Numbers / Computer World / It’s More Fun to Compute / Home Computer / Computer Love / The Man-Machine / Spacelab / The Model / Autobahn / Geiger Counter / Radioactivity / Tour de France / Prologue / Étape 1 / Chrono / Étape 2 / Trans-Europe Express / Metal on Metal / Abzug / The Robots / Boing Boom Tschak / Techno Pop / Musique Non Stop
Artists: Status Quo / Andy Bell (Erasure) / Shalamar / Go West / Midge Ure / From The Jam / Big Country / Belinda Carlisle / Snap! / Hugh Cornwell (The Stranglers) / Jaki Graham / Limahl / Westworld / Rozalla / Belouis Some
Venue: Temple Newsam, Leeds
Date: 22.6.19
An annual pilgrimage to the past, with the stars of ‘yesteryear’ bringing back great memories with their music – hits & giggles.
This year’s headliners, the much maligned but mighty ‘Quo’, provided a masterclass in rock; owning the arena and exiting on a luxury tour bus before the applause had died-down down (deeper and down).
I originally had tickets to see Amy Winehouse on her ‘Back to Black’ tour (2006), which was cancelled for reasons that tragically transpired.
The Belgrave House Band beautifully brought Amy’s music back to life, with a faithful interpretation of her debut album; ‘Frank’. As near to the real thing as you’re ever likely to experience live.
For the previous decade, Foals had eluded me as a live act. Chances to see them play live seemed few and far between. However, the release of ‘Everything Not Saved Will Be Lost Part 1’ brought them to O2 Academy, Leeds for an exclusive album launch show.
An incredible gig with the band playing the newly released album in full, along with a few old favourites and a preview of things to come. Bring on Part 2 . . .
Setlist: Moonlight / Exits / White Onions / In Degrees / Syrups / On the Luna / Cafe D’Athens / Surf, Pt.1 / Sunday / I’m Done with the World (& It’s Done with Me) // Mountain at My Gates / My Number / Black Bull / Inhaler
My first visit to Hyde Park Book Club; another great independent live music venue. It’s not the most glamorous setting, but it has an authentic creative vibe with enthusiastic, friendly folk.
This is what the gig scene is all about; discovering new bands in old cellars. Apparently, this was Stats’ first gig outside London. Welcome to the north.
Part of the Record Store Day 2019 celebrations, organised by Jumbo Records. After the disappointment of not getting any of the releases on my RSD wish list, I decided to make do with beer and a band.
There’s great satisfaction to be had from seeing a band play live before they’re endorsed by the likes of Jools Holland and BBC Radio 6 Music.
Those in the know were at this gig, to see some authentic antipodean punk and Melbourne’s finest mullets. Punk’s not dead but its hairdresser might well be.
I previous saw Cherry Glazerr play a sold out gig at Brudenell Social Club (May 2017) with front-woman, Clementine Creevy, whipping the packed-out main room into a frenzy. However, the band’s return to Leeds saw them playing to a barely half-full room at the smaller Event Space of Headrow House.
To make matters worse, the sound quality was appalling, with the vocals being barely audible for much of the set, despite the audience’s protests to the sound desk.
A bafflingly lacklustre affair, through no fault of the band.
Celebrating their 30th anniversary, The Orb returned to Brudenell Social Club with an epic greatest hits set. Timeless tunes that have been replayed and reworked for three decades – and yet, sound as cutting edge today as they ever did. Ambience with attitude.
Astounding energy and vocals from the sparkly, sprightly sexagenarian.
Setlist: All in a Rage / Good Morning Universe / Broken Diamonds / We Are / Thunder in the Mountains / I Explode / Neon Womb / Obsolete / Be Proud, Be Loud (Be Heard) / Rebel Run / Telepathic Power / Brave New World / Echo Beach / It’s a Mystery / Angel and Me / Sensational / Danced / Leya
At my second ever gig, way back in 1988, Neneh Cherry was the support act for Bomb the Base. Even back then, she stole the show.
Over 30 years later she’s still the queen of cool. Mild mannered but exuding attitude and experience. New material is perfectly blended with timeless classics in a slick soulful set.
Setlist: Cheap Breakfast Special / Fallen Leaves / Shot Gun Shack / Deep Vein Thrombosis / Faster Than the Truth / Kong / Poem Daddy / Synchronized Devotion / Natural Skin Deep / Black Monday / Slow Release / Manchild / Soldier // 7 Seconds / Buffalo Stance
An awesome support slot from Alison Moyet; setting the 80s vibe with a set of Yazoo and solo tracks.
Tears for Fears followed suit and upped the ante with a powerful set of past hits.
This was by no means a retro gig, with the music of both acts standing the test of time and sounding as cutting-edge as it ever did.
*Originally scheduled: 27.4.18
Setlist: Everybody Wants to Rule the World / Secret World / Sowing the Seeds of Love / Pale Shelter / Break It Down Again / Everybody Loves a Happy Ending / Change / Mad World / Memories Fade / Suffer the Children / Woman in Chains / Advice for the Young at Heart / Badman’s Song / Head Over Heals / Broken
It’s somewhat ignorant and rude when the majority of the audience talk throughout the support band; incredulous when the support act is Martha Reeves & The Vandellas. Living Motown legends are few and far between. Shut the f*ck up and watch the band!
Thankfully, Ocean Colour Scene ramped-up the volume to deliver a hefty set of their best known tracks.
Setlist: Everything Comes at the Right Time / The Riverboat Song / Profit in Peace / Better Day / Weekend / One for the Road / Get Blown Away / The Circle / Step by Step / Besides Yourself / I Wanna Stay Alive with You / This Day Should Last Forever / Be with You / Up on the Downside / Saturday / Jane She Got Excavated / July / You’ve Got It Bad / Travellers Tune // Robin Hood – Live Together / Another Bard May Chant / Hundred Mile High City / It’s a Beautiful Thing / The Day We Caught the Train
There’s not really much to see at a Mogwai gig – but the sonic onslaught is like no other live music experience; truly awesome. *Don’t ever feed them after midnight.
Setlist: Yes! I Am a Long Way from Home / Friend of the Night / We’re Not Done (End Title) / Party in the Dark / Old Poisons / Crossing the Road Material / Rano Pano / Don’t Believe the Fife / Auto Rock / Remurdered / Every Country’s Sun / Like Herod // New Paths to Helicon, Pt. 1 / We’re No Here
The legendary people’s poet and fellow wordsmiths performing spoken word for the masses. Mirthful to see many youngsters at such a performance, with their parents cringing at the barrage of F-bombs launched from the stage (as if the kids don’t already know those words).
Never ones for half measures, Twisted Wheel rattled The Wardrobe, as frontman Jonny Brown swigged from a bottle of Jack Daniel’s and consequently forgot the lyrics to some of their best known songs. Resoundingly raucous.
I only saw a couple of the bands at this event, but Dead Naked Hippies stole the show with a their edgy post-punk style and charismatic front-woman (Lucy Jowett).
The gig also promoted the release of the ‘Young Male Rage’ single, by one of the most absorbing bands currently emerging from the Leeds music scene.
An impressive blend of styles and sets with both bands clearly destined for success. Such gigs prove why it’s always worth arriving in time to see the support band; catching up-and-coming acts who will soon return as headliners.
Fake is a four letter word: I don’t do tribute bands, unless they have an incredibly good reputation and there’s absolutely no hope of ever seeing the real thing. In this case I’d heard glowing reviews from friends who, like myself, grew up loving The Smiths and their melancholic melodies.
A great night of authentic sounding indie nostalgia as The Smyths worked their way though their namesakes’ back catalogue. The crowd embraced the band, reaching out with messiah like adulation to touch the hand of mock-Morrissey. Although the bass player with front-man syndrome should settle into the back-seat role of Andy Rourke or form his own Peter Hook tribute band.
Sometimes it’s reassuring for a band to announce that they won’t be playing any new material, as they haven’t written any. The resulting set was a selection of flawless former singles and album tracks.
At one point, Mark Morris jokingly stated “This is the part of the show where we shut-up, so you can all have a chat and a catch-up.” – sarcastically but superbly highlighting the fact that everyone rudely talks throughout gigs these days. Followed by commenting “No, seriously, don’t mind us!” (Well said).
Setlist: Cut Some Rug / Carnt Be Trusted / Keep the Home Fires Burning / The Fountainhead / Things Change / Tiger Lily / Marblehead Johnson / Never Going Nowhere / Fast Boy / Bluetonic / Sleazy Bed Track / After Hours / Emily’s Pine / Slight Return // One Speed Gearbox / If…
The second of two exclusive performances to celebrate the launch of Suede’s latest album; The Blue Hour. The early show featured a selection of new songs, whereas this late show saw the band ‘shaking their bits to the hits’ as they performed their third album, Coming Up, in its entirety.
The set appropriately ended with Bret Anderson walking amongst the crowd for a rendition of Saturday Night.
Setlist: Trash / Filmstar / Lazy / By the Sea / She / Beautiful Ones / Starcrazy / Picnic by the Motorway / The Chemistry Between Us / Saturday Night
No lights, no backdrop, no banter; just a powerfully progressive groove, faintly illuminated by a glowing spliff. Niche Chilean krautrock at it’s finest.
Sometimes it’s great just to head down to a local independent venue, go to a free gig and discover bands that you’d otherwise never have seen or heard.
I usually avoid tribute bands, in fear of them tainting legends or simply cashing-in on the effort of others.
However, having foolishly missed the opportunity to see the true ‘purple one’ before his premature departure, the chance to see Prince’s music performed live was hard to refuse (especially as the tickets were free).
Although they’ll never come close to the real thing, New Purple Celebration are an incredibly talented collective of musicians who clearly love the music of Prince in his many guises. This was a welcome chance to hear respectful recitals from his back catalogue.
Shame about the audience, who were generally a crowd of fidgety morons with minimum attention span (probably due to a high number of complimentary tickets being issued). I expect the fans were rather more engaged at real Prince gigs.